Week 11

Sonnet 18 

by William Shakespeare

Shall I compare thee to a summer’s day?

Thou art more lovely and more temperate.

Rough winds do shake the darling buds of May,

And summer’s lease hath all too short a date.

Sometime too hot the eye of heaven shines,

And often is his gold complexion dimmed;

And every fair from fair sometime declines,

By chance, or nature’s changing course, untrimmed;

But thy eternal summer shall not fade,

Nor lose possession of that fair thou ow’st,

Nor shall death brag thou wand’rest in his shade,

When in eternal lines to Time thou grow’st.

     So long as men can breathe, or eyes can see,

     So long lives this, and this gives life to thee.

Sonnet 18, often alternatively titled Shall I compare thee to a summer's day?, is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare. Part of the Fair Youth sequence (which comprises sonnets 1–126 in the accepted numbering stemming from the first edition in 1609), it is the first of the cycle after the opening sequence now described as the procreation sonnets.In the sonnet, the speaker compares his beloved to the summer season, and argues that his beloved is better. He also states that his beloved will live on forever through the words of the poem. Scholars have found parallels within the poem to Ovid's Tristia and Amores, both of which have love themes. Sonnet 18 is written in the typical Shakespearean sonnet form, having 14 lines of iambic pentameter ending in a rhymed couplet. Detailed exegeses have revealed several double meanings within the poem, giving it a greater depth of interpretation.

William Shakespeare

William Shakespeare (/ˈʃeɪkspɪər/; 26 April 1564 (baptised) – 23 April 1616) was an English poet, playwright, and actor, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet, and the "Bard of Avon". His extant works, including collaborations, consist of approximately 38 plays, 154 sonnets, two long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright.Shakespeare was born and brought up in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, at age 49, where he died three years later. Few records of Shakespeare's private life survive, which has stimulated considerable speculation about such matters as his physical appearance, sexuality, and religious beliefs and whether the works attributed to him were written by others.Shakespeare produced most of his known work between 1589 and 1613. His early plays were primarily comedies and histories, and these are regarded as some of the best work ever produced in these genres. He then wrote mainly tragedies until about 1608, including Hamlet, Othello, King Lear, and Macbeth, considered some of the finest works in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime. In 1623, however, John Heminges and Henry Condell, two friends and fellow actors of Shakespeare, published a more definitive text known as the First Folio, a posthumous collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's. It was prefaced with a poem by Ben Jonson, in which Shakespeare is hailed, presciently, as "not of an age, but for all time". In the 20th and 21st centuries, his works have been repeatedly adapted and rediscovered by new movements in scholarship and performance. His plays remain highly popular, and are constantly studied, performed, and reinterpreted in diverse cultural and political contexts throughout the world.

All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances[...]
—William Shakespeare, As You Like It, 2/7

Epithets in Homer

A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" dawn or "swift-footed" Achilles. Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike. Epithets in epic poetry from various Indo-European traditions may be traced to a common tradition. For example, the phrase for "everlasting glory" or "undying fame" can be found in the Homeric Greek as kléos áphthiton and the Sanskrit as śrávo ákşitam. These two phrases were, in terms of historical linguistics, equivalent in phonology, accentuation, and quantity (syllable length). In other words, they descend from a fragment of poetic diction (reconstructable as Proto-Indo-European *ḱlewos n̥dʰgʷʰitom) which was handed down in parallel over many centuries, in continually diverging forms, by generations of singers whose ultimate ancestors shared an archetypal repertoire of poetic formulae and narrative themes. Epithets alter the meaning of each noun to which they are attached. They specify the existential nature of a noun; that is to say, Achilles is not called "swift-footed" only when he runs; it is a marker of a quality that does not change. Special epithets, such as patronymics, are used exclusively for particular subjects and distinguish them from others, while generic epithets are used of many subjects and speak less to their individual characters. In these examples, the epithet can be contradictory to the past state of the subject: in Odyssey VI.74, for instance, Nausicaa takes her "radiant clothing", ἐσθῆτα φαεινήν, to be washed; since it is dirty, it is unlikely to be radiant.

Poetry

Structure: Sound and Sense

Readers of poetry often bring with them many related assumptions:

That a poem is to be read for its "message,"

That this message is "hidden" in the poem,

The message is to be found by treating the words as symbols which naturally do not mean what they say but stand for something else,

You have to decipher every single word to appreciate and enjoy the poem.

Sappho

Sappho (/ˈsæfoʊ/; Attic Greek Σαπφώ [sapːʰɔ̌ː], Aeolic Greek Ψάπφω, Psappho [psápːʰɔː]) (c. 630 – c. 570 BC) was an archaic Greek poet from the island of Lesbos.[a] Sappho's poetry was lyric poetry, and she is best known for her poems about love. Most of Sappho's poetry is now lost, and survives only in fragmentary form. As well as lyric poetry, three epigrams attributed to Sappho are preserved, but these are in fact Hellenistic imitations. 

Little is known of Sappho's life. She was from a wealthy family from Lesbos, though the names of both of her parents are uncertain. Ancient sources say that she had three brothers; the names of two of them are mentioned in the Brothers Poem discovered in 2014. She was exiled to Sicily around 600 BC, and may have continued to work until around 570. 

Sappho's poetry was well-known and greatly admired through much of antiquity, and she was considered one of the canon of nine lyric poets. Today, Sappho's poetry is still considered extraordinary, and her works have continued to influence other writers up until the modern day. Outside of academic circles, she is perhaps best known as a symbol of same-sex desire, particularly between women.

Penelope

In Homer's Odyssey, Penelope (/pəˈnɛləpiː/ pə-nel-ə-pee; Greek: Πηνελόπεια, Pēnelópeia, or Πηνελόπη, Pēnelópē) is the wife of Odysseus, who is known for her faithfulness to Odysseus while he is absent, despite having many suitors. 

Her name has traditionally been associated with marital faithfulness, and so it was with the Greeks and Romans, but some recent feminist readings offer a more ambiguous interpretation. Her character is beyond what was available to most women at the time, and she is considered a match for Odysseus due to her immense strength, warmth and intelligence.

Asterisk

Asterisk is a software implementation of a telephone private branch exchange (PBX); it allows attached telephones to make calls to one another, and to connect to other telephone services, such as the public switched telephone network (PSTN) and Voice over Internet Protocol (VoIP) services. Its name comes from the asterisk symbol, *. 

Asterisk is released with a dual license model, using the GNU General Public License (GPL) as a free software license and a proprietary software license to permit licensees to distribute proprietary, unpublished system components. 

Asterisk was created in 1999 by Mark Spencer of Digium. Originally designed for Linux[citation needed], Asterisk runs on a variety of operating systems, including NetBSD, OpenBSD, FreeBSD, Mac OS X, and Solaris. Asterisk is small enough to run in an embedded environment such as Customer-premises equipment-hardware running OpenWrt. There are complete self-contained versions that can boot from a storage device such as a flash drive or external disk drive (preferably IDE/PATA, SATA or mSATA; a USB-connected device can be used, but is often not recommended). A live CD or virtual machine can also be used.

Pyrrhic victory

A Pyrrhic victory is a victory that inflicts such a devastating toll on the victor that it is tantamount to defeat. Someone who wins a Pyrrhic victory has been victorious in some way. However, the heavy toll negates any sense of achievement or profit.The phrase Pyrrhic victory is named after king Pyrrhus of Epirus, whose army suffered irreplaceable casualties in defeating the Romans at Heraclea in 280 BC and Asculum in 279 BC during the Pyrrhic War. After the latter battle, Plutarch relates in a report by Dionysius:
The armies separated; and, it is said, Pyrrhus replied to one that gave him joy of his victory that one other such victory would utterly undo him. For he had lost a great part of the forces he brought with him, and almost all his particular friends and principal commanders; there were no others there to make recruits, and he found the confederates in Italy backward. On the other hand, as from a fountain continually flowing out of the city, the Roman camp was quickly and plentifully filled up with fresh men, not at all abating in courage for the loss they sustained, but even from their very anger gaining new force and resolution to go on with the war.
— Plutarch, Life of Pyrrhus