Week 15

The Lord's Prayer

Our father who art in heaven

The Lord's Prayer (also called the Our Father or Pater Noster among other names) is a venerated Christian prayer that, according to the New Testament, was taught by Jesus to his disciples. Two versions of it are recorded: a longer form in the Gospel of Matthew as part of the Sermon on the Mount, and a shorter form in the Gospel of Luke as a response by Jesus to a request by "one of his disciples" to teach them "to pray as John taught his disciples." The context of the prayer in Matthew is a discourse deploring people who pray ostentatiously. The original text of the prayer (in Greek) uniquely contains the word epiousios, which does not appear in any other extant classical or Koine Greek literature, and is also the only adjective in the prayer. The most common English language translation of this word is "daily". The prayer concludes with "deliver us from evil" in Matthew, and with "lead us not into temptation" in Luke. The first three of the seven petitions in Matthew address God; the other four are related to human needs and concerns. The liturgical form is the Matthean. Some Christians, particularly Protestants, conclude the prayer with a doxology, a later addendum appearing in some manuscripts of Matthew.

Inaugural Address

The "inaugural address" is a speech given during this ceremony which informs the people of his or her intentions as a leader. A famous inauguration speech is John F. Kennedy's.

We observe today not a victory of party but a celebration of freedom--symbolizing an end as well as a beginning--signifying renewal as well as change. For I have sworn before you and Almighty God the same solemn oath our forebears prescribed nearly a century and three quarters ago.

The world is very different now. For man holds in his mortal hands the power to abolish all forms of human poverty and all forms of human life. And yet the same revolutionary beliefs for which our forebears fought are still at issue around the globe--the belief that the rights of man come not from the generosity of the state but from the hand of God.

We dare not forget today that we are the heirs of that first revolution. Let the word go forth from this time and place, to friend and foe alike, that the torch has been passed to a new generation of Americans--born in this century, tempered by war, disciplined by a hard and bitter peace, proud of our ancient heritage--and unwilling to witness or permit the slow undoing of those human rights to which this nation has always been committed, and to which we are committed today at home and around the world.

Let every nation know, whether it wishes us well or ill, that we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty.

This much we pledge--and more.

To those old allies whose cultural and spiritual origins we share, we pledge the loyalty of faithful friends. United, there is little we cannot do in a host of cooperative ventures. Divided, there is little we can do--for we dare not meet a powerful challenge at odds and split asunder.

To those new states whom we welcome to the ranks of the free, we pledge our word that one form of colonial control shall not have passed away merely to be replaced by a far more iron tyranny. We shall not always expect to find them supporting our view. But we shall always hope to find them strongly supporting their own freedom-and to remember that, in the past, those who foolishly sought power by riding the back of the tiger ended up inside.

To those peoples in the huts and villages of half the globe struggling to break the bonds of mass misery, we pledge our best efforts to help them help themselves, for whatever period is required--not because the communists may be doing it, not because we seek their votes, but because it is right. If a free society cannot help the many who are poor, it cannot save the few who are rich.

To our sister republics south of our border, we offer a special pledge--to convert our good words into good deeds--in a new alliance for progress--to assist free men and free governments in casting off the chains of poverty. But this peaceful revolution of hope cannot become the prey of hostile powers. Let all our neighbors know that we shall join with them to oppose aggression or subversion anywhere in the Americas. And let every other power know that this Hemisphere intends to remain the master of its own house.

To that world assembly of sovereign states, the United Nations, our last best hope in an age where the instruments of war have far outpaced the instruments of peace, we renew our pledge of support--to prevent it from becoming merely a forum for invective--to strengthen its shield of the new and the weak--and to enlarge the area in which its writ may run.

Finally, to those nations who would make themselves our adversary, we offer not a pledge but a request: that both sides begin anew the quest for peace, before the dark powers of destruction unleashed by science engulf all humanity in planned or accidental self-destruction.

We dare not tempt them with weakness. For only when our arms are sufficient beyond doubt can we be certain beyond doubt that they will never be employed.

But neither can two great and powerful groups of nations take comfort from our present course--both sides overburdened by the cost of modern weapons, both rightly alarmed by the steady spread of the deadly atom, yet both racing to alter that uncertain balance of terror that stays the hand of mankind's final war.

So let us begin anew--remembering on both sides that civility is not a sign of weakness, and sincerity is always subject to proof. Let us never negotiate out of fear. But let us never fear to negotiate.

Let both sides explore what problems unite us instead of belaboring those problems which divide us.

Let both sides, for the first time, formulate serious and precise proposals for the inspection and control of arms--and bring the absolute power to destroy other nations under the absolute control of all nations.

Let both sides seek to invoke the wonders of science instead of its terrors. Together let us explore the stars, conquer the deserts, eradicate disease, tap the ocean depths and encourage the arts and commerce.

Let both sides unite to heed in all corners of the earth the command of Isaiah--to "undo the heavy burdens . . . (and) let the oppressed go free."

And if a beach-head of cooperation may push back the jungle of suspicion, let both sides join in creating a new endeavor, not a new balance of power, but a new world of law, where the strong are just and the weak secure and the peace preserved.

All this will not be finished in the first one hundred days. Nor will it be finished in the first one thousand days, nor in the life of this Administration, nor even perhaps in our lifetime on this planet. But let us begin.

In your hands, my fellow citizens, more than mine, will rest the final success or failure of our course. Since this country was founded, each generation of Americans has been summoned to give testimony to its national loyalty. The graves of young Americans who answered the call to service surround the globe.

Now the trumpet summons us again-not as a call to bear arms, though arms we need--not as a call to battle, though embattled we are--but a call to bear the burden of a long twilight struggle, year in and year out, "rejoicing in hope, patient in tribulation"--a struggle against the common enemies of man: tyranny, poverty, disease and war itself.

Can we forge against these enemies a grand and global alliance, North and South, East and West, that can assure a more fruitful life for all mankind? Will you join in that historic effort?

In the long history of the world, only a few generations have been granted the role of defending freedom in its hour of maximum danger. I do not shrink from this responsibility--I welcome it. I do not believe that any of us would exchange places with any other people or any other generation. The energy, the faith, the devotion which we bring to this endeavor will light our country and all who serve it--and the glow from that fire can truly light the world.

And so, my fellow Americans: ask not what your country can do for you--ask what you can do for your country.

My fellow citizens of the world: ask not what America will do for you, but what together we can do for the freedom of man.

Finally, whether you are citizens of America or citizens of the world, ask of us here the same high standards of strength and sacrifice which we ask of you. With a good conscience our only sure reward, with history the final judge of our deeds, let us go forth to lead the land we love, asking His blessing and His help, but knowing that here on earth God's work must truly be our own.

Sermon on the Mount

The Sermon on the Mount (anglicized from the Matthean Vulgate Latin section title: Sermo in monte) is a collection of sayings and teachings of Jesus, which emphasizes his moral teaching found in the Gospel of Matthew (chapters 5, 6, and 7). It is the first of the Five Discourses of Matthew and takes place relatively early in the Ministry of Jesus after he has been baptized by John the Baptist and preached in Galilee.The Sermon is the longest continuous section of Jesus speaking found in the New Testament, and has been one of the most widely quoted elements of the Canonical Gospels. It includes some of the best known teachings of Jesus, such as the Beatitudes, and the widely recited Lord's Prayer. To most believers in Jesus, the Sermon on the Mount contains the central tenets of Christian discipleship.

911 George W. Bush speech Psalm 23

Original sin

Original sin, also called ancestral sin, is the Christian doctrine of humanity's state of sin resulting from the fall of man, stemming from Adam and Eve's rebellion in Eden, namely the sin of disobedience in consuming from the tree of knowledge of good and evil. This condition has been characterized in many ways, ranging from something as insignificant as a slight deficiency, or a tendency toward sin yet without collective guilt, referred to as a "sin nature", to something as drastic as total depravity or automatic guilt of all humans through collective guilt. The concept of original sin was first alluded to in the 2nd century by Irenaeus, Bishop of Lyon in his controversy with certain dualist Gnostics. Other church fathers such as Augustine also developed the doctrine, seeing it as based on the New Testament teaching of Paul the Apostle (Romans 5:12–21 and 1 Corinthians 15:22) and the Old Testament verse of Psalms 51:5. Tertullian, Cyprian, Ambrose and Ambrosiaster considered that humanity shares in Adam's sin, transmitted by human generation. Augustine's formulation of original sin was popular among Protestant reformers, such as Martin Luther and John Calvin, who equated original sin with concupiscence, affirming that it persisted even after baptism and completely destroyed freedom. The Jansenist movement, which the Catholic Church declared to be heretical, also maintained that original sin destroyed freedom of will.

Joseph coat

Chosen people

Throughout history, various groups of people have considered themselves to be chosen people by a deity for a purpose, such as to act as the deity's agent on earth. In monotheistic faiths references to God are used in constructs such as "God's Chosen People". The phenomenon of a "chosen people" is particularly common in the Abrahamic tradition, where it originally referred to the Israelites. Some claims of chosenness are based on parallel claims of Israelite ancestry, as is the case for the Christian Identity and Black Hebrew sects- both which claim themselves (and not Jews) to be the "true Israel". Others claim a "spiritual" chosenness, including most Christian denominations, who traditionally believe the church has replaced Israel as the People of God.

Week 14

Semele

Semele (/ˈsɛməli/; Greek: Σεμέλη Semelē), in Greek mythology, daughter of the Boeotian hero Cadmus and Harmonia, was the mortal mother of Dionysus by Zeus in one of his many origin myths. 

Certain elements of the cult of Dionysus and Semele came from the Phrygians. These were modified, expanded and elaborated by the Ionian Greek invaders and colonists. Herodotus, who gives the account of Cadmus, estimates that Semele lived sixteen hundred years before his time, or around 2000 BCE. In Rome, the goddess Stimula was identified as Semele.

Sophocles

Sophocles (/ˈsɒfəkliːz/; Greek: Σοφοκλῆς, Sophoklēs, Ancient Greek: [so.pʰo.klɛ̂ːs]; c. 497/6 – winter 406/5 BC) is one of three ancient Greek tragedians whose plays have survived. His first plays were written later than those of Aeschylus, and earlier than or contemporary with those of Euripides. Sophocles wrote 120 plays during the course of his life, but only seven have survived in a complete form: Ajax, Antigone, The Women of Trachis, Oedipus the King, Electra, Philoctetes and Oedipus at Colonus. For almost 50 years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens that took place during the religious festivals of the Lenaea and the Dionysia. He competed in 30 competitions, won 18, and was never judged lower than second place. Aeschylus won 14 competitions, and was sometimes defeated by Sophocles, while Euripides won 5 competitions. The most famous tragedies of Sophocles feature Oedipus and also Antigone: they are generally known as the Theban plays, although each play was actually a part of a different tetralogy, the other members of which are now lost. Sophocles influenced the development of the drama, most importantly by adding a third actor, thereby reducing the importance of the chorus in the presentation of the plot. He also developed his characters to a greater extent than earlier playwrights such as Aeschylus.

Electra

In Greek mythology, Electra (/ᵻˈlɛktrə/; Greek: Ἠλέκτρα, Ēlektra) was the daughter of King Agamemnon and Queen Clytemnestra, and thus princess of Argos. She and her brother Orestes plotted revenge against their mother Clytemnestra and stepfather Aegisthus for the murder of their father, Agamemnon. 

Electra is one of the most popular mythological characters in tragedies. She is the main character in two Greek tragedies, Electra by Sophocles and Electra by Euripides. She is also the central figure in plays by Aeschylus, Alfieri, Voltaire, Hofmannsthal, and Eugene O'Neill. 

In psychology, the Electra complex is named after her.

Joan of Arc

Joan of Arc (French: Jeanne d'Arc, IPA: [ʒan daʁk]; 6 January c. 1412 – 30 May 1431), nicknamed "The Maid of Orléans" (French: La Pucelle d'Orléans), is considered a heroine of France for her role during the Lancastrian phase of the Hundred Years' War, and was canonized as a Roman Catholic saint. Joan of Arc was born to Jacques d'Arc and Isabelle Romée, a peasant family, at Domrémy in north-east France. Joan said she received visions of the Archangel Michael, Saint Margaret, and Saint Catherine of Alexandria instructing her to support Charles VII and recover France from English domination late in the Hundred Years' War. The uncrowned King Charles VII sent Joan to the siege of Orléans as part of a relief mission. She gained prominence after the siege was lifted only nine days later. Several additional swift victories led to Charles VII's coronation at Reims. This long-awaited event boosted French morale and paved the way for the final French victory. 

On 23 May 1430, she was captured at Compiègne by the Burgundian faction, which was allied with the English. She was later handed over to the English and put on trial by the pro-English Bishop of Beauvais Pierre Cauchon on a variety of charges. After Cauchon declared her guilty she was burned at the stake on 30 May 1431, dying at about nineteen years of age. 

In 1456, an inquisitorial court authorized by Pope Callixtus III examined the trial, debunked the charges against her, pronounced her innocent, and declared her a martyr. In the 16th century she became a symbol of the Catholic League, and in 1803 she was declared a national symbol of France by the decision of Napoleon Bonaparte. She was beatified in 1909 and canonized in 1920. Joan of Arc is one of the nine secondary patron saints of France, along with St. Denis, St. Martin of Tours, St. Louis, St. Michael, St. Rémi, St. Petronilla, St. Radegund and Ste. Thérèse of Lisieux. 

Joan of Arc has remained a popular figure in literature, painting, sculpture, and other cultural works since the time of her death, and many famous writers, filmmakers and composers have created works about her. Cultural depictions of her have continued in films, theater, television, video games, music, and performances to this day.

Eurydice

In Greek mythology, Eurydice (/jʊˈrɪdᵻsiː/; Greek: Εὐρυδίκη, Eurydikē) was an oak nymph or one of the daughters of Apollo (the god of music, prophecy, and light, who also drove the sun chariot, "adopting" the power as god of the Sun from the primordial god Helios). She was the wife of Orpheus, who tried to bring her back from the dead with his enchanting music.Eurydice was the wife of Orpheus, who loved her dearly; on their wedding day, he played joyful songs as his bride danced through the meadow. One day, Aristaeus saw and pursued Eurydice, who stepped on a viper, was bitten, and died instantly. Distraught, Orpheus played and sang so mournfully that all the nymphs and deities wept and told him to travel to the Underworld to retrieve her, which he gladly did. After his music softened the hearts of Hades and Persephone, his singing so sweet that even the Erinyes wept, he was allowed to take her back to the world of the living. In another version, Orpheus played his lyre to put Cerberus, the guardian of Hades, to sleep, after which Eurydice was allowed to return with Orpheus to the world of the living. Either way, the condition was attached that he must walk in front of her and not look back until both had reached the upper world. Soon he began to doubt that she was there, and that Hades had deceived him. Just as he reached the portals of Hades and daylight, he turned around to gaze on her face, and because Eurydice had not yet crossed the threshold, she vanished back into the Underworld. When Orpheus later was killed by the Maenads at the orders of Dionysus, his soul ended up in the Underworld where he was reunited with Eurydice.

Demeter and Persephone

Demeter's virgin daughter Persephone was abducted to the underworld by Hades. Demeter searched for her ceaselessly, preoccupied with her loss and her grief. The seasons halted; living things ceased their growth, then began to die. Faced with the extinction of all life on earth, Zeus sent his messenger Hermes to the underworld to bring Persephone back. Hades agreed to release her if she had eaten nothing while in his realm; but Persephone had eaten a small number of pomegranate seeds. This bound her to Hades and the underworld for certain months of every year, either the dry Mediterranean summer, when plant life is threatened by drought, or the autumn and winter. There are several variations on the basic myth. In the Homeric hymn to Demeter, Hecate assists in the search and later becomes Persephone's underworld attendant. In another, Persephone willingly and secretly eats the pomegranate seeds, thinking to deceive Hades, but is discovered and made to stay. In all versions, Persephone's time in the underworld corresponds with the unfruitful seasons of the ancient Greek calendar, and her return to the upper world with springtime. Demeter's descent to retrieve Persephone from the underworld is connected to the Eleusinian Mysteries.Demeter and her daughter Persephone were usually called:The goddesses, often distinguished as "the older" and "the younger" in Eleusis.Demeters, in Rhodes and SpartaThe thesmophoroi, "the legislators" in the Thesmophoria.The Great Goddesses, in Arcadia.The mistresses in Arcadia.In Mycenaean Pylos, Demeter and Persephone were probably called "queens" (wa-na-ssoi).The myth of the capture of Persephone seems to be pre-Greek. In the Greek version, Ploutos (πλούτος, wealth) represents the wealth of the corn that was stored in underground silos or ceramic jars (pithoi). Similar subterranean pithoi were used in ancient times for funerary practices. At the beginning of the autumn, when the corn of the old crop is laid on the fields, she ascends and is reunited with her mother Demeter, for at this time the old crop and the new meet each other. According to the personal mythology of Robert Graves, Persephone is not only the younger self of Demeter, she is in turn also one of three guises of the Triple Goddess – Kore (the youngest, the maiden, signifying green young grain), Persephone (in the middle, the nymph, signifying the ripe grain waiting to be harvested), and Hecate (the eldest of the three, the crone, the harvested grain), which to a certain extent reduces the name and role of Demeter to that of group name. Before her abduction, she is called Kore; and once taken she becomes Persephone ('she who brings destruction').

The School of Athens

The School of Athens (Italian: Scuola di Atene) is one of the most famous frescoes by the Italian Renaissance artist Raphael. It was painted between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. The Stanza della Segnatura was the first of the rooms to be decorated, and The School of Athens, representing Philosophy, was probably the second painting to be finished there, after La Disputa (Theology) on the opposite wall, and the Parnassus (Literature). The picture has long been seen as "Raphael's masterpiece and the perfect embodiment of the classical spirit of the Renaissance".

Week 13

Athena

Goddess of wisdom, craft, and war

Athena (/əˈθiːnə/; Attic Greek: Ἀθηνᾶ, Athēnā, or Ἀθηναία, Athēnaia; Epic: Ἀθηναίη, Athēnaiē; Doric: Ἀθάνα, Athānā) or Athene (/əˈθiːniː/; Ionic: Ἀθήνη, Athēnē), often given the epithet Pallas (/ˈpæləs/; Παλλὰς), is the goddess of wisdom, craft, and war in ancient Greek religion and mythology. Minerva is the Roman goddess identified with Athena. Athena is known for her calm temperament, as she moves slowly to anger. She is noted to have only fought for just reasons, and would not fight without a purpose. 

Athena is portrayed as an astute companion of heroes and is the patron goddess of heroic endeavour. She is the virgin patroness of Athens. The Athenians founded the Parthenon on the Acropolis of her namesake city, Athens (Athena Parthenos), in her honour. 

Veneration of Athena was so persistent that archaic myths about her were recast to adapt to cultural changes.[citation needed] In her role as a protector of the city (polis), many people throughout the Greek world worshipped Athena as Athena Polias (Ἀθηνᾶ Πολιάς "Athena of the city"). While the city of Athens and the goddess Athena essentially bear the same name (Athena the goddess, Athenai the city), it is not known which of the two words is derived from the other.

Kasugai

Kasugai (春日井市 Kasugai-shi?) is a city located in Aichi Prefecture, Japan. 

As of May 2015, the city had an estimated population of 308,820 and a population density of 3,330 persons per km². The total area was 92.71 square kilometres (35.80 sq mi). Former Nagoya Airport, is located between Kasugai and neighboring Komaki.

Price–performance ratio

In economics and engineering, the price–performance ratio refers to a product's ability to deliver performance, of any sort, for its price. Generally speaking, products with a lower price/performance ratio are more desirable, excluding other factors. Price–performance is often written as cost–performance or cost–benefit. Even though this term would seem to be a straightforward ratio, when price performance is improved, better, or increased, it actually refers to the performance divided by the price, in other words exactly the opposite ratio to rank a product as having an increased price/performance.

Pomegranate

The pomegranate (/ˈpɒmᵻɡrænᵻt/), botanical name Punica granatum, is a fruit-bearing deciduous shrub or small tree in the family Lythraceae that grows between 5 and 8 m (16 and 26 ft) tall.

The fruit is typically in season in the Northern Hemisphere from September to February, and in the Southern Hemisphere from March to May. As intact arils or juice, pomegranates are used in baking, cooking, juice blends, meal garnishes, smoothies, and alcoholic beverages, such as cocktails and wine.

The pomegranate originated in the region of modern-day Iran, and has been cultivated since ancient times throughout the Mediterranean region and northern India. It was introduced into Spanish America in the late 16th century and California, by Spanish settlers, in 1769.

Today, it is widely cultivated throughout the Middle East and Caucasus region, north and tropical Africa, the Indian subcontinent, Central Asia, the drier parts of southeast Asia, and parts of the Mediterranean Basin. It is also cultivated in parts of Arizona and California. In recent years, it has become more common in the commercial markets of Europe and the Western Hemisphere.

The Fatal Woman

The Fatal Woman (Dutch: De Vloek van het Testament) is a 1915 Dutch silent drama film directed by Maurits Binger and Louis H. Chrispijn. De vloek van het testament can be translated as The curse of the testimony; the film was a big Dutch movie at the time with 48 copies through Europe and 12 copies crossing to America. It was the last directed movie of Chrispijn; he wanted to get out of movies. The storyline is about a testimony found in an old wooden desk and advocate couple van Dalen claiming the rights of it. After a big manhunt (everybody wants the testimony), it comes back to the finder and rightful owner.

Dan Brown

Daniel Gerhard "Dan" Brown (born June 22, 1964) is an American author of thriller fiction who is best known for the 2003 bestselling novel The Da Vinci Code. Brown's novels are treasure hunts set in a 24-hour period, and feature the recurring themes of cryptography, keys, symbols, codes, and conspiracy theories. His books have been translated into 52 languages, and as of 2012, sold over 200 million copies. Three of them, Angels & Demons (2000), The Da Vinci Code (2003), and Inferno (2013), have been adapted into films. Brown's novels that feature the lead character Robert Langdon also include historical themes and Christianity as motifs, and as a result, have generated controversy. Brown states on his website that his books are not anti-Christian, though he is on a 'constant spiritual journey' himself, and says that his book The Da Vinci Code is simply "an entertaining story that promotes spiritual discussion and debate" and suggests that the book may be used "as a positive catalyst for introspection and exploration of our faith."






VR

Virtual reality

Virtual reality (VR) typically refers to computer technologies that use software to generate realistic images, sounds and other sensations that replicate a real environment (or create an imaginary setting), and simulate a user's physical presence in this environment. VR has been defined as "...a realistic and immersive simulation of a three-dimensional environment, created using interactive software and hardware, and experienced or controlled by movement of the body" or as an "immersive, interactive experience generated by a computer". A person using virtual reality equipment is typically able to "look around" the artificial world, move about in it and interact with features or items that are depicted on a screen or in goggles. Most 2016-era virtual realities are displayed either on a computer monitor, a projector screen, or with a virtual reality headset (also called head-mounted display or HMD). HMDs typically take the form of head-mounted goggles with a screen in front of the eyes. Programs may include audio and sounds through speakers or headphones. Advanced haptic systems in the 2010s may include tactile information, generally known as force feedback in medical, video gaming and military training applications. Some VR systems used in video games can transmit vibrations and other sensations to the user via the game controller. Virtual reality also refers to remote communication environments which provide a virtual presence of users with through telepresence and telexistence or the use of a virtual artifact (VA). The immersive environment can be similar to the real world in order to create a lifelike experience or it can differ significantly from reality where gamers can use fictional powers.

Demeter and Persephone

Demeter's virgin daughter Persephone was abducted to the underworld by Hades. Demeter searched for her ceaselessly, preoccupied with her loss and her grief. The seasons halted; living things ceased their growth, then began to die. Faced with the extinction of all life on earth, Zeus sent his messenger Hermes to the underworld to bring Persephone back. Hades agreed to release her if she had eaten nothing while in his realm; but Persephone had eaten a small number of pomegranate seeds. This bound her to Hades and the underworld for certain months of every year, either the dry Mediterranean summer, when plant life is threatened by drought, or the autumn and winter. There are several variations on the basic myth. In the Homeric hymn to Demeter, Hecate assists in the search and later becomes Persephone's underworld attendant. In another, Persephone willingly and secretly eats the pomegranate seeds, thinking to deceive Hades, but is discovered and made to stay. In all versions, Persephone's time in the underworld corresponds with the unfruitful seasons of the ancient Greek calendar, and her return to the upper world with springtime. Demeter's descent to retrieve Persephone from the underworld is connected to the Eleusinian Mysteries.Demeter and her daughter Persephone were usually called:The goddesses, often distinguished as "the older" and "the younger" in Eleusis.Demeters, in Rhodes and SpartaThe thesmophoroi, "the legislators" in the Thesmophoria.The Great Goddesses, in Arcadia.The mistresses in Arcadia.In Mycenaean Pylos, Demeter and Persephone were probably called "queens" (wa-na-ssoi).The myth of the capture of Persephone seems to be pre-Greek. In the Greek version, Ploutos (πλούτος, wealth) represents the wealth of the corn that was stored in underground silos or ceramic jars (pithoi). Similar subterranean pithoi were used in ancient times for funerary practices. At the beginning of the autumn, when the corn of the old crop is laid on the fields, she ascends and is reunited with her mother Demeter, for at this time the old crop and the new meet each other. According to the personal mythology of Robert Graves, Persephone is not only the younger self of Demeter, she is in turn also one of three guises of the Triple Goddess – Kore (the youngest, the maiden, signifying green young grain), Persephone (in the middle, the nymph, signifying the ripe grain waiting to be harvested), and Hecate (the eldest of the three, the crone, the harvested grain), which to a certain extent reduces the name and role of Demeter to that of group name. Before her abduction, she is called Kore; and once taken she becomes Persephone ('she who brings destruction').

The School of Athens

The School of Athens (Italian: Scuola di Atene) is one of the most famous frescoes by the Italian Renaissance artist Raphael. It was painted between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. The Stanza della Segnatura was the first of the rooms to be decorated, and The School of Athens, representing Philosophy, was probably the second painting to be finished there, after La Disputa (Theology) on the opposite wall, and the Parnassus (Literature). The picture has long been seen as "Raphael's masterpiece and the perfect embodiment of the classical spirit of the Renaissance".

Week 12

Glaucus

Glaucus (Greek: Γλαῦκος, English translation: "shiny", "bright" or "bluish-green") was a son of Hippolochus and a grandson of Bellerophon. He was a captain in the Lycian army under the command of his close friend and cousin Sarpedon. The Lycians in the Trojan War were allies of Troy. During the war Glaucus fought valiantly, killing four Greeks. 

In the Iliad, he met Diomedes in the field of battle in face to face combat. In response to Diomedes' challenge to him, Glaucus said that as a grandson of Bellerophon he would fight anybody. On learning of Glaucus' ancestry Diomedes planted his spear in the ground and told of how his grandfather Oeneus was a close friend of Bellerophon, and declared that the two of them despite being on opposing sides should continue the friendship. As a sign of friendship Diomedes took off his bronze armor worth nine oxen and gave it to Glaucus. Glaucus then had his wits taken by Zeus and gave Diomedes his gold armor said to be worth 100 oxen. 

Glaucus was in the division of Sarpedon and Asteropaios when the Trojans assaulted the Greek wall. Their division fought valiantly, allowing Hector to break through the wall. During this assault Teucer shot Glaucus with an arrow, wounding him and forcing him to withdraw from combat. Later, upon seeing Sarpedon mortally wounded, Glaucus prayed to Apollo, asking him to help him to rescue the body of his dying friend. Apollo cured his wound, allowing Glaucus to rally the Trojans around the body of Sarpedon until the gods carried the body away. Later in the war, when the fighting over Achilles' corpse took place, Glaucus was killed by Ajax. His body, however, was rescued by Aeneas and was then taken by Apollo to Lycia for funeral rites.

Helen

In Greek mythology, Helen of Troy (Greek Ἑλένη Helénē, pronounced [helénɛː]), also known as Helen of Sparta, or simply Helen, was the daughter of Zeus and Leda, and was a sister of Castor, Pollux, and Clytemnestra. In Greek myths, she was considered the most beautiful woman in the world. By marriage she was Queen of Laconia, a province within Homeric Greece, the wife of King Menelaus. Her abduction by Prince Paris of Troy brought about the Trojan War. Elements of her putative biography come from classical authors such as Aristophanes, Cicero, Euripides and Homer (both The Iliad and The Odyssey). 

In her youth, she was abducted by Theseus. A competition between her suitors for her hand in marriage sees Menelaus emerge victorious. An oath sworn beforehand by all the suitors (known as the Oath of Tyndareus) requires them to provide military assistance in the case of her abduction; this oath culminates in the Trojan War. When she marries Menelaus she is still very young; whether her subsequent involvement with Paris is an abduction or a seduction is ambiguous. 

The legends recounting Helen's fate in Troy are contradictory. Homer depicts her as a wistful, even a sorrowful, figure, coming to regret her choice and wishing to be reunited with Menelaus. Other accounts have a treacherous Helen who simulates Bacchic rites and rejoices in the carnage. Ultimately, Paris was killed in action, and in Homer's account Helen was reunited with Menelaus, though other versions of the legend recount her ascending to Olympus instead. A cult associated with her developed in Hellenistic Laconia, both at Sparta and elsewhere; at Therapne she shared a shrine with Menelaus. She was also worshiped in Attica, and on Rhodes. 

Her beauty inspired artists of all time to represent her, frequently as the personification of ideal beauty. Christopher Marlowe's lines from his tragedy Doctor Faustus (1604) are frequently cited: "Was this the face that launch'd a thousand ships/And burnt the topless towers of Ilium?" Images of her start appearing in the 7th century BC. In classical Greece, her abduction by—or elopement with—Paris was a popular motif. In medieval illustrations, this event was frequently portrayed as a seduction, whereas in Renaissance painting it is usually depicted as a rape by Paris. The fact that rape and kidnapping were interchangeable terms lends additional ambiguity to the story.

Garden of Eden

The Garden of Eden (Hebrew גַּן עֵדֶן, Gan ʿEḏen) or often Paradise is the biblical "garden of God", described most notably in the Book of Genesis chapters 2 and 3, and also in the Book of Ezekiel. The "garden of God", not called Eden, is mentioned in Genesis 13, and the "trees of the garden" are mentioned in Ezekiel 31. The Book of Zechariah and the Book of Psalms also refer to trees and water in relation to the temple without explicitly mentioning Eden. 

Traditionally, the favored derivation of the name "Eden" was from the Akkadian edinnu, derived from a Sumerian word meaning "plain" or "steppe". Eden is now believed to be more closely related to an Aramaic root word meaning "fruitful, well-watered." The Hebrew term is translated "pleasure" in Sarah's secret saying in Genesis 18:9-15. 

Much like records of the great flood, creation story and confusion of languages, the story of Eden echoes the Mesopotamian myth of a king, as a primordial man, who is placed in a divine garden to guard the tree of life. In the Hebrew Bible, Adam and Eve are depicted as walking around the Garden of Eden naked due to their innocence. Eden and its rivers may signify the real Jerusalem, the Temple of Solomon, or the Promised Land. It may also represent the divine garden on Zion, and the mountain of God, which was also Jerusalem. The imagery of the Garden, with its serpent and cherubs, has been compared to the images of the Solomonic Temple with its copper serpent (the nehushtan) and guardian cherubs.

Vocabulary

slosh

verb (used without object)

1.to splash or move through water, mud, or slush.

2.(of a liquid) to move about actively within a container.

verb (used with object)

3.to stir or splash (something) around in a fluid
4.to splash (liquid) clumsily or haphazardly

noun

5.watery mire or partly melted snow; slush.
6.the lap or splash of liquid
7.a small quantity of liquid
8.a watery or weak drink.

serpent

noun

1.a snake.
2.a wily, treacherous, or malicious person.
3.the Devil; Satan. Gen. 3:1–5.
4.a firework that burns with serpentine motion or flame.
5.an obsolete wooden wind instrument with a serpentine shape and a deep, coarse tone.
6.(initial capital letter) Astronomy. the constellation Serpens.

immorality

noun

plural: immoralities

1.immoral quality, character, or conduct; wickedness; evilness.
2.sexual misconduct.
3.an immoral act.

Apollo

Apollo (Attic, Ionic, and Homeric Greek: Ἀπόλλων, Apollōn (GEN Ἀπόλλωνος); Doric: Ἀπέλλων, Apellōn; Arcadocypriot: Ἀπείλων, Apeilōn; Aeolic: Ἄπλουν, Aploun; Latin: Apollō) is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros (a beardless, athletic youth), Apollo has been variously recognized as a god of music, truth and prophecy, healing, the sun and light, plague, poetry, and more. Apollo is the son of Zeus and Leto, and has a twin sister, the chaste huntress Artemis. Apollo is known in Greek-influenced Etruscan mythology as Apulu. As the patron of Delphi (Pythian Apollo), Apollo was an oracular god—the prophetic deity of the Delphic Oracle. Medicine and healing are associated with Apollo, whether through the god himself or mediated through his son Asclepius, yet Apollo was also seen as a god who could bring ill-health and deadly plague. Amongst the god's custodial charges, Apollo became associated with dominion over colonists, and as the patron defender of herds and flocks. As the leader of the Muses (Apollon Musegetes) and director of their choir, Apollo functioned as the patron god of music and poetry. Hermes created the lyre for him, and the instrument became a common attribute of Apollo. Hymns sung to Apollo were called paeans. In Hellenistic times, especially during the 3rd century BCE, as Apollo Helios he became identified among Greeks with Helios, Titan god of the sun, and his sister Artemis similarly equated with Selene, Titan goddess of the moon. In Latin texts, on the other hand, Joseph Fontenrose declared himself unable to find any conflation of Apollo with Sol among the Augustan poets of the 1st century, not even in the conjurations of Aeneas and Latinus in Aeneid XII (161–215). Apollo and Helios/Sol remained separate beings in literary and mythological texts until the 3rd century CE.

Week 11

Sonnet 18 

by William Shakespeare

Shall I compare thee to a summer’s day?

Thou art more lovely and more temperate.

Rough winds do shake the darling buds of May,

And summer’s lease hath all too short a date.

Sometime too hot the eye of heaven shines,

And often is his gold complexion dimmed;

And every fair from fair sometime declines,

By chance, or nature’s changing course, untrimmed;

But thy eternal summer shall not fade,

Nor lose possession of that fair thou ow’st,

Nor shall death brag thou wand’rest in his shade,

When in eternal lines to Time thou grow’st.

     So long as men can breathe, or eyes can see,

     So long lives this, and this gives life to thee.

Sonnet 18, often alternatively titled Shall I compare thee to a summer's day?, is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare. Part of the Fair Youth sequence (which comprises sonnets 1–126 in the accepted numbering stemming from the first edition in 1609), it is the first of the cycle after the opening sequence now described as the procreation sonnets.In the sonnet, the speaker compares his beloved to the summer season, and argues that his beloved is better. He also states that his beloved will live on forever through the words of the poem. Scholars have found parallels within the poem to Ovid's Tristia and Amores, both of which have love themes. Sonnet 18 is written in the typical Shakespearean sonnet form, having 14 lines of iambic pentameter ending in a rhymed couplet. Detailed exegeses have revealed several double meanings within the poem, giving it a greater depth of interpretation.

William Shakespeare

William Shakespeare (/ˈʃeɪkspɪər/; 26 April 1564 (baptised) – 23 April 1616) was an English poet, playwright, and actor, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet, and the "Bard of Avon". His extant works, including collaborations, consist of approximately 38 plays, 154 sonnets, two long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright.Shakespeare was born and brought up in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, at age 49, where he died three years later. Few records of Shakespeare's private life survive, which has stimulated considerable speculation about such matters as his physical appearance, sexuality, and religious beliefs and whether the works attributed to him were written by others.Shakespeare produced most of his known work between 1589 and 1613. His early plays were primarily comedies and histories, and these are regarded as some of the best work ever produced in these genres. He then wrote mainly tragedies until about 1608, including Hamlet, Othello, King Lear, and Macbeth, considered some of the finest works in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime. In 1623, however, John Heminges and Henry Condell, two friends and fellow actors of Shakespeare, published a more definitive text known as the First Folio, a posthumous collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's. It was prefaced with a poem by Ben Jonson, in which Shakespeare is hailed, presciently, as "not of an age, but for all time". In the 20th and 21st centuries, his works have been repeatedly adapted and rediscovered by new movements in scholarship and performance. His plays remain highly popular, and are constantly studied, performed, and reinterpreted in diverse cultural and political contexts throughout the world.

All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances[...]
—William Shakespeare, As You Like It, 2/7

Epithets in Homer

A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" dawn or "swift-footed" Achilles. Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike. Epithets in epic poetry from various Indo-European traditions may be traced to a common tradition. For example, the phrase for "everlasting glory" or "undying fame" can be found in the Homeric Greek as kléos áphthiton and the Sanskrit as śrávo ákşitam. These two phrases were, in terms of historical linguistics, equivalent in phonology, accentuation, and quantity (syllable length). In other words, they descend from a fragment of poetic diction (reconstructable as Proto-Indo-European *ḱlewos n̥dʰgʷʰitom) which was handed down in parallel over many centuries, in continually diverging forms, by generations of singers whose ultimate ancestors shared an archetypal repertoire of poetic formulae and narrative themes. Epithets alter the meaning of each noun to which they are attached. They specify the existential nature of a noun; that is to say, Achilles is not called "swift-footed" only when he runs; it is a marker of a quality that does not change. Special epithets, such as patronymics, are used exclusively for particular subjects and distinguish them from others, while generic epithets are used of many subjects and speak less to their individual characters. In these examples, the epithet can be contradictory to the past state of the subject: in Odyssey VI.74, for instance, Nausicaa takes her "radiant clothing", ἐσθῆτα φαεινήν, to be washed; since it is dirty, it is unlikely to be radiant.

Poetry

Structure: Sound and Sense

Readers of poetry often bring with them many related assumptions:

That a poem is to be read for its "message,"

That this message is "hidden" in the poem,

The message is to be found by treating the words as symbols which naturally do not mean what they say but stand for something else,

You have to decipher every single word to appreciate and enjoy the poem.

Sappho

Sappho (/ˈsæfoʊ/; Attic Greek Σαπφώ [sapːʰɔ̌ː], Aeolic Greek Ψάπφω, Psappho [psápːʰɔː]) (c. 630 – c. 570 BC) was an archaic Greek poet from the island of Lesbos.[a] Sappho's poetry was lyric poetry, and she is best known for her poems about love. Most of Sappho's poetry is now lost, and survives only in fragmentary form. As well as lyric poetry, three epigrams attributed to Sappho are preserved, but these are in fact Hellenistic imitations. 

Little is known of Sappho's life. She was from a wealthy family from Lesbos, though the names of both of her parents are uncertain. Ancient sources say that she had three brothers; the names of two of them are mentioned in the Brothers Poem discovered in 2014. She was exiled to Sicily around 600 BC, and may have continued to work until around 570. 

Sappho's poetry was well-known and greatly admired through much of antiquity, and she was considered one of the canon of nine lyric poets. Today, Sappho's poetry is still considered extraordinary, and her works have continued to influence other writers up until the modern day. Outside of academic circles, she is perhaps best known as a symbol of same-sex desire, particularly between women.

Penelope

In Homer's Odyssey, Penelope (/pəˈnɛləpiː/ pə-nel-ə-pee; Greek: Πηνελόπεια, Pēnelópeia, or Πηνελόπη, Pēnelópē) is the wife of Odysseus, who is known for her faithfulness to Odysseus while he is absent, despite having many suitors. 

Her name has traditionally been associated with marital faithfulness, and so it was with the Greeks and Romans, but some recent feminist readings offer a more ambiguous interpretation. Her character is beyond what was available to most women at the time, and she is considered a match for Odysseus due to her immense strength, warmth and intelligence.

Asterisk

Asterisk is a software implementation of a telephone private branch exchange (PBX); it allows attached telephones to make calls to one another, and to connect to other telephone services, such as the public switched telephone network (PSTN) and Voice over Internet Protocol (VoIP) services. Its name comes from the asterisk symbol, *. 

Asterisk is released with a dual license model, using the GNU General Public License (GPL) as a free software license and a proprietary software license to permit licensees to distribute proprietary, unpublished system components. 

Asterisk was created in 1999 by Mark Spencer of Digium. Originally designed for Linux[citation needed], Asterisk runs on a variety of operating systems, including NetBSD, OpenBSD, FreeBSD, Mac OS X, and Solaris. Asterisk is small enough to run in an embedded environment such as Customer-premises equipment-hardware running OpenWrt. There are complete self-contained versions that can boot from a storage device such as a flash drive or external disk drive (preferably IDE/PATA, SATA or mSATA; a USB-connected device can be used, but is often not recommended). A live CD or virtual machine can also be used.

Pyrrhic victory

A Pyrrhic victory is a victory that inflicts such a devastating toll on the victor that it is tantamount to defeat. Someone who wins a Pyrrhic victory has been victorious in some way. However, the heavy toll negates any sense of achievement or profit.The phrase Pyrrhic victory is named after king Pyrrhus of Epirus, whose army suffered irreplaceable casualties in defeating the Romans at Heraclea in 280 BC and Asculum in 279 BC during the Pyrrhic War. After the latter battle, Plutarch relates in a report by Dionysius:
The armies separated; and, it is said, Pyrrhus replied to one that gave him joy of his victory that one other such victory would utterly undo him. For he had lost a great part of the forces he brought with him, and almost all his particular friends and principal commanders; there were no others there to make recruits, and he found the confederates in Italy backward. On the other hand, as from a fountain continually flowing out of the city, the Roman camp was quickly and plentifully filled up with fresh men, not at all abating in courage for the loss they sustained, but even from their very anger gaining new force and resolution to go on with the war.
— Plutarch, Life of Pyrrhus